Lex Kosanke            

Sound Designer, Composer, Production Sound Engineer

lex.kosanke@gmail.com

07553955122

suchnoise.com

 

Training

Royal Central School of Speech & Drama: BA (Hons) Theatre Practice: Theatre Sound ‘14 (First Class with honours)

 

Productions

2018 – Sound Designer/Composer – Sacha Guitry, Ma Fille et Moi, Drayton Arms (director Marianne Badrichani)

2017 – 2018 – Sound and Lighting Designer – Goosed, RVT Panto (director Tim McArthur)

2017 – Sound Designer/Composer – Chambers of Flavour V3 (Gingerline)

2017 – Sound No.1 – Hocum Pokem, Toynbee Hall (director Peaches Christ)

2017 – Sound Designer/Composer – Loaded, Birmingham Old Rep (director Sinéad Rushe)

2017 – Production Sound Engineer – Kabeiroi (Punchdrunk)

2017 – Associate Sound Designer – Kiki’s Delivery Service, Southwark Playhouse (sound designer Max Pappenheim)

2017 – Sound Designer – Juniper Manor (Gingerline)

2017 – Sound Designer/Composer – It Is So Ordered, Pleasance Theatre (director Lucy Curtis)

2017 – Sound Designer – Bunny, White Bear Theatre (director Lucy Curtis)

2016 – 2017 – Sound and Lighting Designer – Prince Bendover in Boots, Royal Vauxhall Tavern Panto (director Tim McArthur)

2016 – Sound and Video Engineer/Operator – To a Simple Rock ‘n’ Roll … Song, Barbican Theatre (Michael Clark Company)

2016 – Sound Designer –New Europe, Camden People’s Theatre (Engineer)

2016 – Sound Designer/Production Sound Engineer – The Chambers Of Flavour V2 (Gingerline)

2016 – Sound Designer – A Serious Case Of The Fuckits, Webber Douglas Studio (director Sarah Davey-Hull)

2016 – Sound Designer – Madame Gingerline (Gingerline)

2016 – Sound Designer – Jonny Woo’s East London Lecture, Shoreditch Town Hall (director Douglas Rintoul)

2016 – Sound Designer – The Heresy Of Love, Embassy Theatre (director Martin Wylde)

2016 – Production Sound Engineer – The Tell-tale Heart, The Glory (East London Session Players)

2016 – Sound Designer/Composer – Richard III, New Diorama Theatre (The Faction)

2015 – 2016 – Sound and Lighting Operator –Charming Dick, Royal Vauxhall Tavern Panto (director Tim McArthur)

2015 – Sound Designer – The Divided Laing, Arcola Theatre (director Michael Kingsbury)

2015 – Associate Sound Designer – My Eyes Went Dark, Finborough Theatre (sound designer Max Pappenheim)

2015 – Sound Designer/Production Sound Engineer – The Chambers of Flavour (Gingerline)

2015 – Sound Designer/Composer – Crave, Disk Space, Prague (director Maike Koch)

2015 – Sound Designer – Market Boy, Embassy Theatre (director Dan Herd)

2015 – Sound Designer/Composer – The Secret Island Of Gingerline

2015 – Sound Designer – Gone Camping (The Art of Dining)

2014 – 2015 – Sound and Lighting Operator – Jack, Sissy that Stalk! (RVT Panto), The Royal Vauxhall Tavern

2014 – 2015 – Sound Designer/Operator – Sleeping Beauty (The Familyyy Fierce Panto), The Black Cap

2014 – 2015 – Sound Designer/Composer – The Lost Gardens of Gingerline

2014 – Assistant Production Sound Engineer – The Boy Who Climbed Out Of His Face, East Greenwich Coaling Jetty (Shunt)

2014 – Sound Designer/Composer – Post Mortem, Accidental Festival at the Roundhouse Studio, Die-Wo-Spielen Festival in Stuttgart, Germany and International Festival of Puppetry Schools in Bialystok, Poland (devised with Laura Elands)

2014 – Sound Designer/Composer – Loaded, Jacksons Lane (director Sinéad Rushe)

2013 – 2014 – Sound, Lighting and Video Operator and Composer – Gingerline, Hideout

2013 – Sound Designer/Composer – As You Like It, Embassy Theatre (director Douglas Rintoul)

2013 – Sound Designer – Man, Beast and Virtue, Webber Douglas Studio (director Catherine Alexander)

2013 – Sound Designer/Composer – Frag.men.ted, Bridewell Theatre and Etcetera Theatre among others (devised with Laura Elands)

2009 – 2011 – Sound Designer/Performer – Various productions, Theater Zwo Sieben, Nuremberg, Germany

 

Skills

Ableton Live (Sound Design and Composing)

Qlab

Composing, Performing and Recording with Guitar, Voice, E-Bass and Synthesizer

Dynamic and responsive live improvisation and sound manipulation using the software and instruments above, microphones and foley techniques

Analogue and digital mixing desks (e.g. Yamaha, Soundcraft)

Native level German (Written and Spoken)